Jailhouse Rock

by Jerry Leiber and Mike Stoller
performed by Elvis Presley

The warden threw a party in the county jail.
The prison band was there and they began to wail.
The band was jumpin’ and the joint began to swing.
You should’ve heard those knocked out jailbirds sing.
Let’s rock, everybody, let’s rock.
Everybody in the whole cell block
was dancin’ to the Jailhouse Rock.

Spider Murphy played the tenor saxophone,
Little Joe was blowin’ on the slide trombone.
The drummer boy from Illinois went crash, boom, bang,
the whole rhythm section was the Purple Gang.
Let’s rock, everybody, let’s rock.
Everybody in the whole cell block
was dancin’ to the Jailhouse Rock.

Number forty-seven said to number three:
“You’re the cutest jailbird I ever did see.
I sure would be delighted with your company,
come on and do the Jailhouse Rock with me.”
Let’s rock, everybody, let’s rock.
Everybody in the whole cell block
was dancin’ to the Jailhouse Rock.

The sad sack was a sittin’ on a block of stone
way over in the corner weepin’ all alone.
The warden said, “Hey, buddy, don’t you be no square.
If you can’t find a partner use a wooden chair.”
Let’s rock, everybody, let’s rock.
Everybody in the whole cell block
was dancin’ to the Jailhouse Rock.

Shifty Henry said to Bugs, “For Heaven’s sake,
no one’s lookin’, now’s our chance to make a break.”
Bugsy turned to Shifty and he said, “Nix nix,
I wanna stick around a while and get my kicks.”
Let’s rock, everybody, let’s rock.
Everybody in the whole cell block
was dancin’ to the Jailhouse Rock.
(1957)

Dark Night of the Soul

A collaboration between Danger Mouse and Sparklehorse the album in it’s entirety is available for streaming online for free at NPR. From NPR; The album features:

Danger Mouse and Sparklehorse (Mark Linkous), other artists appearing on Dark Night of the Soul include James Mercer of The Shins, The Flaming Lips, Gruff Rhys of Super Furry Animals, Jason Lytle of Grandaddy, Julian Casablancas of The Strokes, Frank Black of the Pixies, Iggy Pop, Nina Persson of The Cardigans, Suzanne Vega, Vic Chesnutt, David Lynch, and Scott Spillane of Neutral Milk Hotel and The Gerbils.

The album has been released by the artist as a blank printed CD-R along with a poster.  User’s are then led to their own methods of getting the music on the disc.   This was after a dispute with record label EMI.  It seems the only ones to win from this is the artists and the fans.

‘Most clearly of that battle I remember

The tiredness in eyes, how hands looked thin

Around a cigarette, and the bright number

Would pulse with all the life there was within.’

(Full text not availble at this time).

Who doesn’t enjoy history, so much of it surrounds war.  For some war might be enjoyable, for the unaccustomed it might even look entertaining.  War, however, is not such the case.  Perhaps Louis Simpson is in such a caliber to speak of war, as he fought in World War II during the Battle of the Bulge.

This poem presumed to have been written 10 years after the battle, “most clearly of that battle I remember the tiredness in eyes, how hands looked thin”.  Right from the beginning you can feel a beat a rhythm.  Similar to the poem Drum (Hughes).  ”Helmet and rifle, pack and overcoat.”

The entire poem is bifurcated in that each line is split with either: and, comma, or period.  This leads to a natural cadences for the reader, you can almost imagine a fast pacing drum that would be used to keep the troops at the correct pace.  Helmet and rifle …pause… pack and overcoat is how it might be read.

If this poem was given popular culture treatment you might hear it being recited as a soldier walks through the woods in war time France, the sound of mortars or artillery off in the distance draws the soldier back to the trenches.  With the sound of gunfire, the soldier drifts to sleep, and the camera fades to black.  Starting from white, color fades in with ringing of the ears, corpses on the ground, and snow of black and red.

I could not decide as to what circumstance this poem might be heard or told.  At first we thought maybe at the bar with his buddies, other veterans, and the like.  However going back to the poem, the only use of pronouns is They, and Their.  That language alone has to mean that this kind of poem had no audience at least not to those who were there and experienced it for themselves.

However, I dont know what to say about the following Youtube video.

Art by Anthony Hudson

Colors of the Sun

by Jackson Browne

©1973 Asylum Records. NY.  
For Everyman (LP) – Side 1 – Track 3

Colors of the sun
Flashing on the water top
Echo on the land

Picking for a coin
Many other tiny worlds
Singing past my hand

Awake to understand you are not dreaming
It is not seaming just to be this way
Dying men draw numbers in the air
Dream to conquer little bits of time
Scuffle with the crowd to get their share
And fall behind their little bits of time

Voices in the air
Sympathetic harmony
Coming from the trees

Hanging at my door
Many shiny surfaces
Clinging in the breeze

Oh, leave me where I am I am not losing
If I am choosing not to plan my life
Disillusioned savior search the sky
Wanting to just to show someone the way
Asking all the people passing by
Doesn’t anybody want the way

I say goodbye to joseph and maria
They think I see another sky
And from my fallen window I still see them
I’ll never free them from the sky

Unfortunately there are no music videos for this song, and the song was not included in Jackson Browne’s Solo Acoustic tour or Greatest Hits Album.  However, I have found a suitable cover that gives a unique touch to the song.

Youtube source: Kefera