When Lilacs Last in the Dooryard Bloom’d – Walt Whitman

photo credit: Baergaj

When Lilacs Last in the Dooryard Bloom’d

by Walt Whitman

1

When lilacs last in the dooryard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d, and yet shall mourn with ever-returning spring.

Ever-returning spring, trinity sure to me you bring,
Lilac blooming perennial and drooping star in the west,
And thought of him I love.

2

O powerful western fallen star!
O shades of night–O moody, tearful night!
O great star disappear’d–O the black murk that hides the star!
O cruel hands that hold me powerless–O helpless soul of me!
O harsh surrounding cloud that will not free my soul.

3

In the dooryard fronting an old farm-house near the white-wash’d palings,
Stands the lilac-bush tall-growing with heart-shaped leaves of rich green,
With many a pointed blossom rising delicate, with the perfume strong I love,
With every leaf a miracle–and from this bush in the dooryard,
With delicate-color’d blossoms and heart-shaped leaves of rich green,
A sprig with its flower I break.

4

In the swamp in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary the thrush,
The hermit withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat,
Death’s outlet song of life, (for well dear brother I know,
If thou wast not granted to sing thou wouldist surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes and through old woods, where lately the violets peep’d
from the ground, spotting the gray debris,
Amid the grass in the fields each side of the lanes, passing the
endless grass,
Passing the yellow-spear’d wheat, every grain from its shroud in the
dark-brown fields uprisen,
Passing the apple-tree blows of white and pink in the orchards,
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

(more…)

Night in Arizona – Sara Teasdale

photo credit: Teri Parker

Night in Arizona

by Sara Teasdale

The moon is a charring ember
Dying into the dark;
Off in the crouching mountains
Coyotes bark.

The stars are heavy in heaven,
Too great for the sky to hold —
What if they fell and shattered
The earth with gold?

No lights are over the mesa,
The wind is hard and wild,
I stand at the darkened window
And cry like a child.

No Swan So Fine – Marianne Moore

photo credit: Ian Naysmith

No Swan So Fine

by Marianne Moore
“No water so still as the
dead fountains of Versailles.” No swan,
with swart blind look askance
and gondoliering legs, so fine
as the chintz china one with fawn-
brown eyes and toothed gold
collar on to show whose bird it was.

Lodged in the Louis Fifteenth
candelabrum-tree of cockscomb-
tinted buttons, dahlias,
sea urchins, and everlastings,
it perches on the branching foam
of polished sculptured
flowers – at ease and tall. The king is dead.

Aftermath – Longfellow

photo credit: Jeff W Brooktree

Aftermath

by Henry Wadsworth Longfellow

When the summer fields are mown,
When the birds are fledged and flown,
And the dry leaves strew the path;
With the falling of the snow,
With the cawing of the crow,
Once again the fields we mow
And gather in the aftermath.
Not the sweet, new grass with flowers
Is this harvesting of ours;
Not the upland clover bloom;
But the rowen mixed with weeds,
Tangled tufts from marsh and meads,
Where the poppy drops its seeds
In the silence and the gloom.

A Lone Pine Cone

photo credit: Cam & Zoe Manderson

A Lone Pine Cone

There lies a pine cone on top of the freshly cut grass,
In June it sticks out like a sore thumb among the green mass.

How did it end up in the middle of the field,
Hidden from the machine’s blades — it remains concealed.

The towering forests cast their shadows overhead,
Offering protection to the cone’s attempt to spread.

It has avoided creatures, elements and people — it now waits,
There is no certain future for the cone as it lies in dire straits.